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Mamiya 7 ii framelines without lens attached Patch#
Mamiya 7 ii framelines without lens attached portable#
Mamiya 7 ii framelines without lens attached series#
Mamiya 7 ii framelines without lens attached free#

The rangefinder patch is a nice size and contrasty and easy to see, making critical focus a cinch.Īnother detail that i appreciate is on the back of the camera where the thumb usually rests there is an elevated ridge that serves as a thumb rest. I also appreciate the 83% magnification which provides no finder blockage due to the protruding lens. The viewfinder is beautiful with bright and crisp albeit not overbearing framelines. As the lenses with the Mamiya 6 system are all leaf shutter, you will need to toggle this switch to swap lenses whilst there is film inside.

Many a times i just merely wanted to check the light reading but found myself snapping a frame instead.Īnother interesting feature is the built in dark slide known as the light shield curtain. The shutter release on the model i used is SENSITIVE. the AEL (Auto-exposure lock) and the meter is quite accurate. A Leica M shutter speed dial it is not.Īs such I find myself just setting it to the “square” i.e. It’s tight but made of plastic so there’s a bit of play when you add force to move the dial with one finger. The dial is big but i found it difficult to adjust the shutter speed with one finger. The main dial on the top plate is handsomely designed and combines shutter speeds, AE settings, ISO, and exposure compensation all in one place. These little pegs make it a cinch to snap your favorite #120not120mm rolls into place and remove. One of the things I don’t enjoy about medium format is fiddling with the spools trying to load the film properly, especially under time constraints. I appreciate the clear markings to fit the hood on, saving me some unnecessary fiddling. The build is solid and the focusing and aperture rings are nicely spaced out. Not too heavy or light at about 8.8oz or 250g, it is well balanced fitted on the camera.

Flash sync at all speeds: 1/500th to 4 seconds & B (bulb).

The Mamiya 75mm f/3.5 G L is the standard normal lens exclusively for the Mamiya 6 system of rangefinder medium format cameras. 3 strap mount points allow easy vertical or horizontal carrying Hot Shoe and PC-Sync socket Wind / Rewind Single 185° wind-on strokeĬounter resets after black is opene Loading Swing open back load with locking mechanism Finish Black Power Two 1.5V batteries (SR44 or LR44) Weight 900 grams (no lens)ġ,150 grams (with 75mm lens) Dimensions With 75mm lens retracted:ġ55 x 109 x 69mm (WxHxD)With 75mm lens retracted:ġ55 x 109 x 106mm (WxHxD) Misc. Silicon Photo Diode receptor in viewfinderĮxposure compensation: +2 to – 2 EV (in 1/2 EV increments) Flash X-Sync (synchronized at all speeds) Internal “dark slide” for mid-roll lens change Metering Aperture priority AE Shutter #00 electronic leaf shutter B, 4 to 1/500 second with electromagnetic release and lock Mamiya 6 G 150mm f/4.5L Rangefinder Coupledģ4.8mm effective base length Viewfinder x0.58 (83%) magnificationĪutomated frame line selection: 50mm, 75mm, 150mm Camera name Mamiya 6 Camera type Interchangeable lens rangefinder Format 6×6 120, 220 medium format roll film (12/24 exposures) Manufacturer Mamiya Digital Imaging Co., Ltd Manufacture dates 1940-1960: Mamiya 6ġ993-1995: Mamiya 6 MF Lens mount Mamiya 6 Lenses Mamiya 6 G 50mm f/4 L It is sometimes called New Mamiya 6 to differentiate it from the original mechanical camera. Other than the film format and name, it has nothing in common with the original Mamiya Six. The camera should not be confused with the similarly named line of Mamiya Six cameras from the 1940’s & 50’s.

Mamiya 7 ii framelines without lens attached free#

The Mamiya 6 is relatively svelte, easy and fast to use and makes sharp images due to the silent and vibration free electronic leaf shutters and rangefinder-design lenses. The Mamiya 6 was introduced in May 1989 and is a 6×6 cm (2¼” square) rangefinder camera taking #120not120mm and 220 film with three interchangeable lenses of 50mm, 75mm and 150mm. In this review, we’ll be taking a closer look at the Mamiya 6 with the 75mm f/3.5.

Mamiya 7 ii framelines without lens attached series#

The Bronica ETR series shoot 6×4.5 cm frames so if you want a bigger negative, Mamiya is the way to go. If you want smallish size and lightweight and you need to swap focal lengths, your options are limited to the Bronica ETR series or Mamiya 6/7. Of course there are the Rolleiflex TLR’s and their brethren, the legendary Plaubel Makina 67 family or Fuji foldables like the GF670 for relative featheriness but you’re stuck with a single lens.

Mamiya 7 ii framelines without lens attached portable#

Thus a lightweight portable option has always been, still is, and will always be desirable. The neck, shoulders and back? Not so much. There’s no doubt that anyone who has shot medium format film loves those huge negatives or slides you get back.